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The Experiences of the Black People in the United States - Case Study Example

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The paper 'The Experiences of the Black People in the United States' presents Racism which is the inherent or internal belief of an individual that each race of humankind possesses specific abilities and characteristics that are only related to that race…
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The Experiences of the Black People in the United States
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Task Thanks for your work, this is very important paper for me, so please serious to edit it, and do not have any plagiarism problem. 1.In page 6 "Furthermore, it was once thought as, sometimes referred to as.....................................Black Creativity: On the Cutting Edge" This all paragraph is NOT original! Please rewrite this part again. Thanks! 2.Another problem is please use one or two sources which I have ready give to you. use some quotes from my own sources please. because my professor ask us to do that. 3.please do not use quotes to be the last sentence in every paragraph. Thanks for your work! How To Against Racism Racism is the inherent or internal believe of an individual that each race of the human kind posses specific abilities and characteristics that are only related to that race. It is then used to distinguish one has superior or inferior in race. The usage of other words to purport the racism idea is an on-going phenomenon across the world. These include words like discrimination against a particular group of people based on their racial attributes, prejudice, disagreements directed to a particular race due to the belief of them being inferior to the one referring. “Even in the very midst of a battle in which one is unmistakably on one side against another, there should be criticism, because there must be critical consciousness if there are to be issues,” the speaker further considers problems, values, or even the lives fought for (Said 1983:28). It shows the relation of racism that is unavoidable. Racism has many everyday meanings based on the usage that arises. This concept of racism loads negatively in the minds of the people in both moral and political aspects. Therefore, this may make one subjected to immoral and unworthy subjection due to the claim of them raising a racist opinion. It is not easy to define this item broadly for it then stands to purport that all people are racists. It is also not easy to define it simplistically as this means that many racially related features get votes as legitimate (Miles and Malcom 18). Racism has much of a political relation than economic. Many political interventions have existed, uprisings leveled against the politically sided individuals that led to movements connected to race and color. The economic aspects relate much to the results of the political actions on the economic situation in the country. Amiri Baraka in his play the Dutchman centralizes his argument on the difficulties of becoming a man in the United States. He relishes his ideas from the Black arts movement and the Beat poets. In the Beat poets, Gregory Corso expresses style and defines other features in a poetic manner that seems not to reflect on a particular item of discussion. As in the poem Poets Hitchhiking on the Highway, he expresses a style of writing that displays the art of criticism in a more representative method rather than directly expressing it. Amiri Baraka, on the other hand, speaks of blacks as the group that finds difficulty in living within the state of white dominance. He reveals that the masculinity is the difficulty of proving manhood in a place where people have divergent opinions overall matter. He says, “Dutchman is about the difficulty of becoming a man in America. It is very difficult to be sure; if you are, black, but I think, it is much harder to become one if you are white.” Very few American males have the slightest knowledge of what is involved in manhood since they are too busy running the world or running away from it pictures a difference between the two races with regard to manhood. He spills this in a nation that purports to support a black man that it at the same time tries to destroy. Amiri brings this out in his play that reflects the interaction and life between a young black man and a mature white woman. The white woman pushes Clay so hard that he returns with a phrase that inflicts torture to the heart, grows spite, and forces the Lula’s response that sees him dead. He says, “If I am a middle class fake white man… Let me be. Moreover, let me be in the way I want. I shall reap your lousy breasts off! Let me be who I feel like being. Uncle Tom, Thomas. Whoever, it is none of your business.” Clay furthers that she does not know anything apart from that which is there for her to see. “Not the pure heart, the pumping Black heart." The theater of absurdity had plays based majorly on the philosophy that accented the meaningless that the world and life carry with it. These plays relate to Amiri’s works in this sense. He reflects life especially for black young American man as a difficult journey that is full of despise, spite and unfounded discrimination that was much evident in the states during the earlier life of slavery and after (Waldman, 2007). These plays relate in this aspect and this makes Amiri’s foundation of play. This aspect of a meaningless life also reflects in the Dutchman as Lula kills Clay who pretends to be an Uncle Tom and all that but Lula discovers his abilities and other threatening aspects of his existence. In the Beat, the usage of the word Beat reflected in the world war as a phrase for totally broke and out. This word attracted a lot of the attention of the world and those that were associated with it and made them look so much impaired in a sense either financially or in another way of life. The Beat poets took the word up and used it to mean “characters of a special spirituality." The word used to stand for juvenile delinquents got a very different meaning that changed the thought of the world (Anne, 2007). In relation to their writings to that of Amiri, there is less correlation in comparison to that in the Absurd movement. The fact that Clay loses his life due to his protagonist approach of trying to win favor from her through the digging out of his own truth reflects on the difference between him and the woman. The relationship that Amiri creates with the works of the Beat poets is relevant in the explanations of his actions in relation to the treatment that the Black males get in the United States without consideration as fellow humans. This reaction is what relates them especially when considering the origin of the term beat generation of writers (Waldman 37). The apple and train in the play are reflections of the biblical eve story and the apple in the Garden of Eden. This is a story of a white woman who tries to manipulate a black young man with a cover of liking him and offering to travel with him to a party that he purported to head to though, he had no plans to. She plays to be in a position to have sec with him after the party and take him to her apartment. She tries as much as she can to get him understand that she knows something about him and so she tries to manipulate him to believe in her and when it fails to work she gets hungered and tries to offend his black heritage. Amiri was a black African American considered as one of the greatest poets in history. He is also related to the movements that had the black man seek equality to the white in the errors of apartheid policy that saw arise in the discrimination, in the people of South Africa. The national party of South Africa, mostly made up of Dutch immigrants, birthed this. These drew plans to develop a system that saw them separate resources with the black community that saw the rise of apartheid. This development reflects one of Africa’s worst scenarios of racism created through the developments and changes in the systems of administration. This racism developed here revolves around the color as the major identifiable aspect used to distinguish. There were many economic results and political that led to an uprising that was marked by the prominence of some of the greatest leaders of in Africa including Nelson Mandela. History speaks and vows more on the effects experienced during these gross years of humanity rocked with differences in color that created the differences in treatment accorded to an individual when he or she went to acquire an item or service. These were changed much by the political climates that had the first black President of South Africa replace the then President after succumbing to humanly influenced pressure that was nursed and developed by the black minority that were being oppressed by this system of governance. It affected all biracial of the country including the Asians, Pakistanis and Indians (Parini and Brett 89). In the 1890 and 1920s, there was the development that changed the world of literature. It marked the upcoming of an African American creativity that saw the development of a new sense of reasoning in the writer’s context. The Black Arts movement was an extension of the two developments in the arts field that saw an entry of blacks in the field of poetry with appalling plays and poems that majorly reflected on the treatment that they received from their white brothers and sisters. It was evident by the appearance of Addison Gayle in the Black aesthetic. In a report published in the 1972, Gwendolyne Brook explains her first encounter with the black arts movement and the effect it had on her artistic journey. She encountered Imamu Amiri Baraka in a conference organized then. This group was marked by a more unified and coherently attached ideology that build more power in a group than in the first groups that represented African American creativity (Jay & Brett, 2013). The five literature developments following this marked the full growth of the Black art movement. These included the Black Fire of 1968, edited by LeRoi Jones and Larry Neal, which also saw the introduction of new voices to the group that was still young and developing. These were part of the early works of the Black Arts Movement that brought them to the spotlight and gave them the wings to help them scale the heights of literature in their times of existence. Their experiences as Black African Americans involved massively in the protests of the bad treatment accorded to them were a major consideration in this movement (Miles 56). Baraka engages with the public on the issue of racism as a person who has experienced it first hand and also bases on the experiences of his colleagues that come together to try and reveal their feelings to the community. The Black Arts Movement despite the position it portrayed to the community, they have received many criticisms to their actions as those that were trying substitute the neo-Africanism perspective with the much-protested Western essentialism. These criticisms reflect much on the movements that followed this event. In addition, the Black Arts Movements at a point in time attracted the perception and coding of the artistic sister within the Black Power Movement. As such, these movements, stands out as one of the most exceptional and controversial moments of history, especially considering the historical literature of African America. This movement was very instrumental in changing the attitudes of Americans towards the meaning, as well as, the function of literature. African American scholars also went a step further to transform the fundamental attitudes of Americans towards the place that ethnic literature occupies within English departments. Some of the major African American scholars recognized by history and prominent in the literature field were Henry Louis Gates, Jr, who perceived this period at one of the shortest, as well as, the least successful, of the movements underscored in the cultural history of African Americans. The movement has been associated with more than just literature with others relating it to the Malcolm X and the Nation of Islam and the black power movement, thought to be politically motivated movements. The mission of movements was to seek the creation of politically rooted works that brought the African cultures and experiences to the attention. Amiri vastly attached to political aspects of leadership and Black leadership in the states has a symbolic match in the 1965 after the assassinating of Malcolm X. It is from these reactions that he conceived the idea of formulating a black theater school and hence the birth of the Black Art Movement (A Brief Guide to the Black Arts Movement, n.d). Lots of criticism came forward against this movement due to the circumstances surrounding its formation, but this did not still deter the motive and actions of this group. They remained focused to the cause and fought to the end. This Movement also caused a revolutionary change in the field of poetry with a new generation of poets that related their experiences to those that they showed in their poems and played in theaters. This all relates as to why the poetic life of Amiri was backed by the display of their unhappiness in the way the system treated them and the way they found it hard to live a life in the United States as young Black men. They faced racial discrimination in their activities. They lacked public of the many powerful leaders since they did not have access to active politics, and separated in schools and even medical attention facilities like hospitals. He attempts to relate the power of art to the larger political sphere that creates a social agenda necessary for attention that leads to a development ultimately described as the development of the world where togetherness and unity embraced throughout the United States. He denotes the black culture in his life and marks an Era of changes both political and social. This saw the birth of a new America where judgment of people was by the contents of their character rather than the color of their skins as proclaimed and envisioned by Dr. Martin Luther King Jr in his speech of “I have a dream"(Bennett 12). Poetically, he left a mark on the development of plays with his landmark play of the Dutchman. He introduces the differences in lives of the whites and the blacks. Furthermore, history regards him as a master of poetry that led the Black Arts Movement. He commands respect for his works and has worldwide acceptance even in the Islamic religion as an individual that brought the world to learn of the experiences of the black people in the United States. His basic discussion on the difficulty of being a man in the United States is what made him more popular in them than much of his works are believed to have done. Racism is a world phenomenon that even the United Nation has had discussions on. An item that has called for world attention that since the past has had a number of legislations developed to protect the vulnerable societies especially those that had been enslaved in the earlier years of the world revolutions. One personally develops an internal acceptance of the other so that they do not discriminate against them on racial aspects. This racism issue has span to the current world that it is evident even in the world of sports. Many footballers that are playing in countries that are not their home grounds have been continuously segregated by their fans and their opponents that have seen FIFA hold several meetings to address the issue. Even though the issue is tackled to this stage, more efforts are necessary to totally eliminate it and have the people leave together as a single unit without concentrating on their racial component or even the color of their skin. Work Cited "A Brief Guide to the Black Art Movement." Poets.Org. Academy of American Poets, Web. 8 May 2014. http://www.poets.org/poetsorg/text/brief-guide-black-arts-movement. Bennett, Michael. Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and.... Hampshire: Palgrave Macmillan, 2011. Print. Miles, Robert, and Malcolm Brown. Racism. London: Routledge, 2004. Print. Parini, Jay, and Brett Millier. The Columbia History of American Poetry. Columbia: Columbia University Press, 2013. Print. Waldman, Anne. The Beat Book: Writings from the Beat Generation. Boston: Shambhala Publications, 2007. Print. Read More
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