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Camera Angles Of Hitchcock's Vertigo

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... camera work that is reminiscent of the old 1940s and 50s films in which the tricks of the camera were in the angles it their dialogue. Pacing is a key factor in this movie, and Nichols has demonstrated a keen eye in his choices of camera angles and applying it to a movie world). Of course, space and camera angles were not the only elements that contributed to this hilarious seesaw effect between keep them on the edge of their seats until the very end. Alfred Hitchcock was a genius who knew how to use camera angles, lighting, and scripting effectively and with great like three different camera angles on the complete picture of a student. You can't reconstruct a total person from just ...



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Sources list for CAMERA ANGLES OF HITCHCOCK'S VERTIGO:

Gilbert, Francis. Vertigo: The Making of a Hitchcock Classic. New Statesman. Volume: 128. Issue: 4421. January 29, 1999. Page Number: 46+.
David Cooper’s “Bernard Herrmann’s Vertigo”

Hitchcock, Alfred. "Let 'Em Play God." Hollywood Reporter, (1948), October. Reprinted in Sidney Gottlieb, ed. Hitchcock on Hitchcock: Selected Writings and Interviews: 114. (Berkeley: University of California Press, 1995).
Classic Cinema

Brill, Lesley W. "Hitchcock's The Lodger." A Hitchcock Reader. Ed. Marshall Deutelbaum and Leland Poague. Ames: Iowa State University Press, 1986. 70-74.
Audience in Alfred Hitchcock’s "The Lodger"

Hemmeter, Thomas. "Horror Beyond the Camera: Cultural Sources of Violence in Hitchcock's Mid-Century America". Postscript. v. 22, n.2. 2002. 7-19.
Alienated Americans

Vertigo. Dir. Alfred Hitchcock. Perf. James Stewart and Kim Novak. USA, 1958.
Alienated Americans

 

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