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Phantom Of The Opera Analysis

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... phantoms" which "perplexed his senses." Certainly Tony's life had been joined by a "company of phantoms" long before he brought the latest trend in Italian opera to German audiences. Classified more as commedia dell arte, "Figaro" was a definite divergence from the Classicism of opera seria to first successful opera and he went on to dominate the country's opera scene for the next 40 years with titles including opera by Mozart in 1786, "Figaro" reportedly raised the bar on opera opening the window to humor, political statements The Opera of Orfeo established Monteverdi's status as a talented composer. This opera established that the composer knew ...



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Sources list for PHANTOM OF THE OPERA ANALYSIS:

Kelly, David. "Critical Essay on The Phantom of the Opera." Novels for Students. Vol. 20. 2005. GALE Resource Database. Site Accessed November 19, 2004.
"The Phantom of the Opera"

"A review of The Phantom of the Opera." The Nation. Vol. XCII. 1911. Reprinted in Twentieth-Century Literary Criticism. Vol. 25. GALE Resource Database. Site Accessed November 19, 2004.
"The Phantom of the Opera"

Leroux, Gaston. The Phantom of the Opera. New York: Harper Collins Publishers. 1988.
"The Phantom of the Opera"

Riley, Philip J. "Gaston LeRoux, Faust and the Phantom." The Making of `The Phantom of the Opera.'" MagicImage Filmbooks. 1999. GALE Resource Database. Site Accessed November 19, 2004.
"The Phantom of the Opera"

Giles, Patrick. "Has Generation X lost its way to the opera?" Opera News, February 1, 2000.
Marketing the Met

 

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